My work is rooted in the exploration of geometry, color, and texture, drawing influence from the simplicity of Agnes Martin’s grids, the boldness of Andy Warhol and Keith Haring’s shapes, and the architectural beauty of the urban landscape. While I spent my early years idolizing the vibrant graphic qualities of Warhol and Haring, it wasn’t until later in my life that I discovered Martin’s work and became captivated by her meditative, repetitive grids. This discovery shaped my artistic direction when I returned to painting in 2017.
Initially, I focused on intricate grid paintings echoing Martin’s style. Over time, my practice evolved as I began incorporating geometric patterns found in nature, such as those found in crop fields. I later turned to abstracted architecture inspired by the cities of Los Angeles and New York and eventually delved into depictions of mid-century modern design, culminating in my Palm Springs series with a similar feel in my Key West series. These explorations gave way to a blending of styles where the gridwork and the architectural elements I admired could coexist.
Today, my work merges these two influences, creating dynamic compositions that combine new textures, colors, and patterns. The common thread in all my work is my unique process. As a hard-edge painter, I employ a combination of materials—smooth wooden panels, washi tape, auto-detailing tape, and acrylic paint—to achieve the clean, crisp lines and matte qualities that define my aesthetic. This method has taken years of experimentation and refinement, and I remain deeply engaged with the process of discovery and evolution in my work.
Ultimately, it is the act of creating—experimenting with materials, refining techniques, and pushing boundaries--that I find most compelling. Through my paintings, I strive to convey the beauty and complexity of simplicity, the intersection of nature and architecture, and the quiet order of repetition.